Today (hey, for once I’m not very late in discovering it!) Adobe released Lightroom 4.3.
Daniel Etherington, who tested the beta version, mentions a number of new features in his blog:
* Support for Apples Retina high-res display.
* addition of a couple new Apple hardware profiles for Adobe’s automatic lens correction tools. The iPhone 4S and iPhone 5 are now available as options, which Lightroom should autodetect once you enable them.
* plenty of other new lens profiles (especially Canon and Leica lenses).
* new camera RAW support, including Canon’s just-released full-frame EOS 6D and the company’s celebrated pocket shooter, the PowerShot S110. Nikon’s 1 V2 mirrorless is also newly added, along with the D5200 and Sony’s full-frame compact fixed lens monster, the DSC-RX1.
Etherington’s verdict: “Developing photos in Lightroom 4.3 on either of Apple’s new Retina MacBook Pros is now a much more pleasant experience”.
Well, the download has completed; let’s go and try out if I get a “much more pleasant experience” on my old Mac, too… 😉
If you are a hevay user of Adobe software, it may be cheaper to join the ‘creative cloud’, says The LightroomQueen.
But for lighter users, only working with Lightroom and Photoshop, she calculates it is more advantageous just to update to new versions.
The 4th version of Adobe’s LightRoom goes public, and they count on publishing the final version i a few months time. If you are like me and cannot wait, it can be downloaded from here.
Major new features are, according to Adobe:
* Highlight and shadow recovery brings out all the detail that your camera captures in dark shadows and bright highlights.
* Photo book creation with easy-to-use elegant templates.
* Location-based organization lets you find and group images by location, assign locations to images, and display data from GPS-enabled cameras.
* White balance brush to refine and adjust white balance in specific areas of your images.
* Additional local editing controls let you adjust noise reduction and remove moiré in targeted areas of your images.
* Extended video support for organizing, viewing, and making adjustments and edits to video clips.
* Easy video publishing lets you edit and share video clips on Facebook and Flickr®.
* Soft proofing to preview how an image will look when printed with color-managed printers.
* Email directly from Lightroom using the email account of your choice.
The Lightroom 4 beta program is available to the public. Anyone with an Internet connection can download it and start putting it to the test. You do not need to own (or have tried) a previous version of Lightroom. You can download the beta and use it until the product expires on March 31, 2012.
Might this get you interested? I’m not getting any commission, alas…
My favourite photo software, Lightroom, is ready for the camera that is on top of my wish list, the Sony SLT-A77. And for other camera types like the Nikon Coolpix P7100 and the Olympus E-PL3. Time for me to download version 3.5!
A minor update, it seems, of Lightroom. As the Adobe website says it:
“The Adobe® Photoshop® Lightroom® 3.4 update includes these enhancements:
• Additional camera support for several new camera models including the Canon Rebel T3i, Nikon D5100 and Fuji FinePix X100
• Corrections for issues introduced in previous versions of Lightroom 3 “
While it’s downloading, I thought some of my web-friend might like to know…
The Adobe® Photoshop® Lightroom® 3.3 update includes these enhancements:
• Additional camera support for several new camera models including the Canon PowerShot 95, Nikon D7000 and Olympus E-5
• Corrections for issues introduced in Lightroom 3.0
Have not had time to do much with the new Lightroom 3 version (beta 2). However, one of the improvements is obvious from–literally–the very beginning: the import module is now working very stable, dependable and fast. Its instability was the major drawback of beta (1) to me. On the other hand, the more intuitive ‘workflow-like’ import interface was one of the major improvements of LR3 over LR2 for me, so it was important to me that it works well.
The beta 2 that I downloaded came in my native Dutch language, while beta 1 had been in English. I work as easily in English as in Dutch but still there was a fleeting moment of joy when I realised the change of language. Long live Onze Taal 😉
Adobe released a second public beta version of Lightroom 3, and promises the following improvements:
* Improved performance throughout the application for faster importing and loading of images
* Native tethered shooting support for select Nikon and Canon DSLR cameras
* Luminance noise reduction has been added to the previous color noise reduction improvements available in the first public beta for outstanding overall high ISO quality
* Support for importing and managing video files from DSLR cameras for better overall photographic workflow control
* Improvements to the import experience in the first beta to reflect public feedback
* Improved watermarking functionality from the first beta to reflect public feedback
It’s a freely downloadable beta version (will work until the official release).
‘Moon over Hernandez’ is one of Ansel Adams’s iconic landscape photos, and in this videoblog by Marc Silber of the Digital Photography School, Ansel’s son Michael tells a little about how the picture was made. It was a shot ‘at the spur of the moment’, a single negative at intuitive exposure settings (he couldn’t find the exposure meter!) because before Ansel could make a second one, the light in the foreground had faded. In our digital age, we could have made a dozen photos, bracketed for exposure…
But the real point was how different a straight print from the negative was from the final black-and-white print: all kinds of darkroom magic was used, for instance to make the sky darker (Adams’s later prints were even more dramatic than his first published ones) and mask some clouds at the top. The video showed a whole ‘storyboard’ that Ansel used for a graphic depiction of all that he wanted to do when enlarging the picture–much like the different steps you would have in Lightroom, or like the different layers you would use in Photoshop.
The main lesson for us, black-and-white landscape photographers: interpret your pictures afterwards when processing it at the computer, to get the result you want. There is not a single-best conversion from the red, blue and green pixels that make up your sensor data into the black-and-white you are going to print, and ‘highlighting’ certain areas of your picture through software adaptations is allowed–maybe we can make our own classic!